November 2010

It’s getting close to the season of the witches, warlocks and other creatures haunting the night with Halloween on the near horizon. Soon it will be Holy Season with the annual tradition of the slaying of the deer and Thanks giving. As I promised last month, I am going to give you some Blues history and in this case some definition of what “The Blues” is. Rather than reinventing the wheel, let’s hear what the Reverend Keith A. Gordon has published at About.com.

Piedmont Blues

The Piedmont blues style originated in the region on the eastern coast of the United States, ranging from the state of Virginia south to the northern tip of Florida (including the Carolinas) and west to Georgia and eastern Tennessee. Portions of northeastern Alabama and even southern Maryland are often considered to be part of the Piedmont plateau where the style was performed.

Characterized by a finger-picked style of playing an acoustic guitar, Piedmont blues features a syncopated rhythm played by the thumb on the bass strings of the instrument while the fingers pick out a melody on the treble strings. Heavily influenced by ragtime music, Piedmont style blues are generally up-tempo in sound and were extremely popular as dance music with African-American audiences during the 1930s and '40s. Considered a form of "country blues," Piedmont blues were influential with late-1950s/early-60s folk singers and with some rockabilly musicians.

Piedmont blues were dominated by guitarists, including several very talented blind bluesmen that helped expand the vocabulary of the music. Blind Willie McTell, Blind Blake, Blind Boy Fuller, Rev. Gary Davis, and Barbecue Bob are among the most influential of the Piedmont style bluesmen. Perhaps the best-known of the Piedmont blues artists was the duo of Sonny Terry and Brownie McGhee whom, both together and individually, enjoyed careers that stretched from the 1930s into the '90s.

Recommended Albums: Blind Boy Fuller's Trucking My Blues Away features the guitarist's distinctive sound and incredible playing style.

Country Blues

Country blues, which is also known as "folk blues," is a primarily an acoustic guitar-oriented type of blues from which many other styles are derived. It often incorporated elements of gospel, ragtime, hillbilly, and Dixieland jazz. The popularity and hit records of original country blues artists like Mississippi's Charley Patton, or Blind Lemon Jefferson from Texas would subsequently influence scores of musicians across the Southern United States.

 Each regional derivative of country blues has placed its own distinct imprint on the unique acoustic blues sound. In the Carolinas and Georgia, artists like Blind Boy Fuller and Brownie McGhee added a fingerpicking guitar technique to create the Piedmont blues style. The Memphis acoustic blues sound developed out of the city's jugband and vaudeville traditions, and was defined by artists like Furry Lewis and Will Shade.

Chicago was originally a hotbed of country blues, as first generation artists like Tampa Red, Big Bill Broonzy, and Memphis Minnie brought their acoustic style to the big city before the popularity of amplified instrumentation transformed the sound of the city into what today we consider the "classic" Chicago blues sound. Chicago's country blues relied heavily on what is called the "hokum" style, a lighthearted sound that often included double-entendre lyrics. Ragtime and Dixieland jazz also influenced the early Chicago blues sound.

In Texas during the 1920s and '30s, acoustic bluesmen were developing a style that offered rich, more complex guitar parts, the beginnings of a blues trend towards separating lead guitar from rhythm playing. Texas acoustic blues relied more on the use of slide, and artists like Lightnin' Hopkins and Blind Willie Johnson are considered masters of slide guitar. Other local and regional blues scenes - from New Orleans to Atlanta, from St. Louis to Detroit - also left their mark on the acoustic blues sound.

When African-American musical tastes began to change in the early-1960s, moving towards soul and rhythm & blues music, country blues found renewed popularity as the "folk blues" and was sold to a primarily white, college-age audience. Traditional artists like Big Bill Broonzy and Sonny Boy Williamson reinvented themselves as folk blues artists, while Piedmont bluesmen like Sonny Terry and Brownie McGhee found great success on the folk festival circuit. The influence of original acoustic country blues can be heard today in the work of contemporary blues artists like Taj Mahal, Cephas & Wiggins, Keb' Mo', and Alvin Youngblood Hart.

Recommended Albums: Blind Lemon Jefferson's The Best Of provides an in-depth look at the artist's talents, while Blind Boy Fuller's Truckin' My Blues Away includes fourteen of the singer/guitarist's best songs and performances and is a great example of the Piedmont blues style.  ( From About.com )

In future Blues Notes, I will bring you some histories and more info about performers, concerts in the region and other blues news from around the country.

Thanks for lending me an ear! See ya around!

October 2010

Summer's gone and before long the holidays will be approaching rapidly. It has been a very productive summer for the Chippewa Valley Blues Society and associated groups. We have produced and/or sponsored a great series of events this year.

Beginning with Lust For Blues III in March with three excellent bands, we got the year off to an excellent start.  Nearly 150 paid the admission in support of our primary fundraiser, which was held at the Metropolis Resort in Eau Claire.

The Tuesday Night Blues Series presented fourteen different bands throughout the summer. Unfortunately we were forced inside to begin and end the season, but the crowds were always enthusiastic and appreciative of the musical offerings, as well as our efforts to produce a series that runs from Memorial Day to Labor Day. TNB had its first Motorcycle Show and a second opportunity for young musicians to showcase their talent on Young Blues Night. There were seven different non-profit community organizations sponsored and the response was very good. A cumulative total of roughly 4000 enjoyed these concerts. Tuesday Night Blues has now put on 29 concerts the last two summers and is being recognized as a great enhancement to the quality of life in the Chippewa Valley. We want to thank all the bands, our generous sponsors, our tasty and creative vendors and especially the wonderful, faithful fans for making this series a weekly mini-fest. There were many new members gained for the Chippewa Valley Blues Society, and we will continue to try to provide them good reasons to belong.

The third presentation of Blues On The Chippewa was hugely successful. Thousands came to Durand to enjoy all the free music presented in the Memorial Park and in the bars afterward. The Car & Motorcycle shows had a terrific turnout. The Pepin County Food Pantry benefited greatly from all the contributions of edibles and cash. What a great annual event! Sixteen Bands and even more performers and it’s all FREE!

I want to recognize, again, all the support for the above events that has been forthcoming from the good folks at Shari’s Chippewa Club. Rob, Shari and Dan Callan originated the idea for Blues On The Chippewa and organized the original effort and recruited the community support that has culminated in a community event that now attracts attendees from the entire upper Midwest and beyond. These same folks have been involved in the Chippewa Valley Blues Society from it’s inception and have hosted many meetings and a couple Christmas parties for us. They have continued to host open jams on Sunday evenings for not just the blues, but country and bluegrass, as well as singer/songwriters. There is always something going on there. We were really happy to see the recognition Shari’s received on local TV. Thanks for all you do!

A shout out goes to WHYS radio in general and Snapshot especially, for promoting the Blues on his Sunday morning radio show. He had many of the performers live on the radio on 96.3 AM. That is a great community service. If you can’t get them on your radio, you can catch them on the web at whysradio.org.

In future Blues Notes, I will bring you some histories and more info about performers, concerts in the region and other blues news from around the country.

Thanks for lending me an ear! See ya around!

September 2010

The dog days are here and it has been a hot wet summer. That didn’t keep Blues On The Chippewa from attracting several thousand people to Durand for two great days of music and good times. All the bands were in top form. Starting with Lucas K And The Coolhand Saints first thing Saturday morning at the art fair over on the Old Courthouse steps to the Love Buzzards through the Sue Orfield Band with Ellen Whyte on Sunday Night.

I talked with people that came from several places in Minnesota, Illinois and Iowa, as well as all over Wisconsin for Blues On The Chippewa. I couldn’t be there for the whole event, but I heard from several sources that Everett Smithson and Mary Cutrofello were especially awesome. I wish I could have been able to do the Downtown Durand bar tour Saturday night with all the music being performed with all the days’ groups. By the way be sure you express your appreciation to all of these establishments for supporting this great event, the next time you drop in to wet your whistle or grab a bite to eat. Shari’s Chippewa Chippewa Club’s “Afterglow Jam” was definitely the place to be on Sunday night.

Let’s give a big shout of thanks to all the supporting businesses in Durand for helping to put on this excellent annual event! And especially the organizers deserve our appreciation for all the work it takes to put a FREE show like this on. Thanks Rob, Shari, Dan, Faith and your entire group. You make life better for all of Western Wisconsin!

By the time this issue of G & P Report hits the streets Tuesday Night Blues will be down to the last free concert of the season. We will be closing out the 2010 series with local legend Howard “Guitar” Luedtke who will be performing with his band Blue Max, including “Magic” Deb Klossner on bass. These folks opened our inaugural season in 2009 on a cold rainy Tuesday night, and rocked a good crowd. Hopefully this year it will be a more pleasant sunny evening.

Here is what Wikipedia says about him: Howard Luedtke, also known as Howard "Guitar" Luedtke, is an American blues guitarist, singer, songwriter and musician. Luedtke is considered one of the best slide guitar players in the American midwest, and currently tours with his band Howard "Guitar" Luedtke & Blue Max. Blue Max is a Chippewa Falls, Wisconsin based blues-rock band that has been performing in the upper Midwest for the past two decades. Luedtke interprets the blues material by Johnny Winter, John Lee Hooker and Willie Dixon.

Averaging over a 150 shows per year (solo and with Blue Max), Howard has traveled all over the midwest and Europe performing his tribute to the blues. His power-trio band is rounded out by his wife, Deb Klossner on bass and a wide assortment of drummers. From New Ulm, Minnesota, Klossner had been performing since 1983. After four years of performing with several rock bands in Southern Minnesota, Klossner joined Blue Max in 1987. Over the years Howard "Guitar" Luedtke & Blue Max has opened for the likes of Johnny Winter, Hubert Sumlin, Tinsley Ellis, Koko Taylor, Jeff Healey and Lonnie Brooks.

In 2001, Luedtke & Blue Max placed second in the Rock category of Contest 4 of Ed McMahon's NextBigStar.com Internet video contest

If you have never caught this group you have cheated yourself. So come on down to Owen Park in Eau Claire on August 31st and treat yourself to a really good concert and festival atmosphere. Help us give the 2010 Tuesday Night Blues season a rousing sendoff. It’s gonna be really good.

See Ya there!